“Apocalips” captures contemporary malaise with acidic colors and classical compositions. Scenes reminiscent of the Renaissance are tainted with destroyed monuments and decayed nature. Women’s bodies resemble damaged statues, their faces showing signs of a pop death. The colors evoke the final moments of an Epicurean feast, symbolizing inevitable decay.

These antique models reflect our collapsing democratic system, influenced by Greek heritage and hindered by environmental neglect in the pursuit of progress. The paintings evoke Pompeii’s last moments, with romanticized yet devastated landscapes symbolizing hedonism overshadowed by pollution and fire. These figures are infertile Venuses and Goddesses of the apocalypse.

“Apocalips” blends classical art with modern decay, illustrating environmental degradation. The damaged statues symbolize cultural and natural erosion, emphasizing fleeting beauty and inevitable decay. The series invites reflection on our world’s state and the impact of our actions, urging sustainability and respect for nature to avoid a doomed future.